"Villa Pallavicino is located in Busseto (PR).

I was able to visit the villa during the FAI Autumn Days 2025, but honestly, I expected something more.
Unfortunately, the rooms I visited still contain installations from the old museum (now closed) dedicated to Giuseppe Verdi, which, rather than enhancing the structure, in my opinion, diminish its value.

The structure is partially accessible to people with disabilities ♿️.

I'm including the presentation from the FAI website.

Villa Pallavicino is among the most prestigious in the Parma area and stands at the center of a square artificial island, outside the ancient walls of Busseto, near the convent of Santa Maria degli Angeli. The Renaissance style, with a five-module checkerboard layout—four at the sides and one at the center—lends great symmetry and harmony to the structure, which also recalls the Pallavicino coat of arms. The villa is surrounded by a square fishpond, preceded by a seventeenth-century entrance pavilion, the guardhouse arch, which is accessed after a long avenue of poplars.

Its construction began in the 1520s; around 1530, it was purchased by the Pallavicino family and initially intended as a summer residence. In 1533, Emperor Charles V of Habsburg was also hosted there, expressing his amazement and admiration for the building's beauty. Furthermore, in 1543, the building was the site of the meeting between Pope Paul III and Emperor Charles V, who It sanctioned the creation of the Duchy of Parma and Piacenza. The villa was subsequently expanded and modified by the Pallavicino family in the late 17th and 18th centuries, according to the taste of the time, until almost the 19th century, without however altering the original 16th-century layout. In 1959, the building was acquired by the Municipality of Busseto and became the home of the civic museum, with notable exhibits and relics of Verdi.

A 17th-century triumphal arch welcomes visitors at the entrance to the Villa, which is reached after a long and picturesque tree-lined avenue. Divided into three sections with Mannerist decorations, the arch features a drape at its center, imitating a theater curtain opened over a false balustrade. Stucco and terracotta are combined with other decorative elements such as niches with stone statues. The unique checkerboard structure, with its symmetrical and harmonious profiles, exposes the Villa to the winds, so much so that it is commonly called Boffalora ("where the wind blows"). Inside the palace are The seventeenth-century allegorical frescoes by Evangelista Draghi and the eighteenth-century frescoes by Ilario Spolverini and Pietro Rubini are preserved, as well as the stuccoes by Carlo Bossi (mid-18th century). A large garden surrounds the Villa, and to the south of the noble palace stands the Palazzo delle Scuderie, with a horseshoe plan and ends facing the Villa."

Matteo Ferrari

"Visited during the FAI days, the villa is very interesting from the outside, but the same cannot be said of the interior as it previously housed the Verdi museum, which is no longer active."

Giusy Meles

"The now-defunct museum dedicated to Giuseppe Verdi, the villa is being opened for the FAI Days. The visit is architecturally interesting, although the furnishings and tapestries are obviously not original."

Silvers Travels